A Gathering of works, a loop back through four years of creative life. Reflecting the composer working across borders and traditions. Some pieces arrive with working titles still attached, "Project 2", "Untitled" and "Deep Shit v1.1", is intentional. This is the sketchbook made public: raw, a behind-the-scenes.
The arc of the album is not random. It moves from cultural rupture, through chaos and absurdism, and descends into Avant l'Holodomor (2022) — the album's emotional and formal centre of gravity. A five-movement suite tracing the journey from foreboding to collapse to the slow, painful reconstruction of society, it arrives near the end of the album not as a historical document but as a lived experience: the struggle to rebuild, again and again, guided only by the resilience music makes possible.
From there, the album surfaces briefly into a digital isolation before closing inside the claustrophobic geometry of modern labor.
Life in L∞P does not offer an escape from the loop. It documents it.
“Ahhhhh, oh pai nosso tuga” - a la halloween (2023) is a striking electroacoustic composition that masterfully deconstructs sacred community rituals to confront the weight of modern geopolitical anxiety. Drawing from the communal soundscapes of the composer’s youth, the track aggressively reimagines the “Pai Nosso Galego / Junto ao Mar”, a sacred pastoral piece traditionally associated with choral unity.
By filtering the warm, nostalgic memory of collective singing, the work functions as a severe critique of our fractured present. The composer deliberately modifies the original song's themes with a tense, atmospheric "Halloween" aesthetic. This dark sonic landscape serves as a direct mirror to today's escalating global war tensions and political polarization.
Rather than merely lamenting the loss of the past, the piece stands as a vulnerable, definitive interrogation of the modern world. Through its hostile arrangements, it exposes the devastating impossibility of achieving true community, peace, and união (unity) in a society paralyzed by fear.
It is a cynical yet deeply moving testament to a world where even the most sacred bonds of human connection have been successfully dismantled by contemporary conflict.
“The Ghost Train” (2024) is a chaotic, maximalist electronic work designed to translate the absurd, tragicomic narrative of Rick and Morty’s Alan Rails. Inspired by the Vindicators superhero and his spectral locomotion, the composition strips away traditional pop-culture reverence, replacing it with a weaponized with sample of the composer personal musical extracts.
I - Untitled
II - Project 2
III - O Jogo 3
IV - Project B4
"Welcome to the Digital Citadel. Inspired by our modern reality of relentless cyber warfare, this track explores platonic love in a hyper-connected, yet deeply isolated cyberpunk world.
The piece portrays a unique, delicate relationship between a corporate princess and her silent guardian. Her elegance, beauty, and regal stature are reflected in the graceful, enchanting melodic synths, while the dark, driving basslines represent the daily siege of zero-day exploits and polymorphic ransomware launched by rival megacorps and foreign syndicates. Unable to break security protocols, the two entities communicate by modulating the frequency of the firewall's data streams. This composition explores their profound longing, capturing the beauty of a selfless emotional connection that transcends romantic expectations. In a world where everything can be hacked, their bond remains the only unbreachable code."