Life in L∞P

This album is a loop back through three years of electronics experiments. Reflecting the working life across borders and traditions. Some pieces were published with working titles still attached, as an example: "Project 2", "Untitled" and "Deep Shit v1.1", is intentional. This is the sketchbook made public, totally raw, almost a behind-the-scenes.

The arc of the album is not random. It moves from cultural rupture, through chaos and absurdism, and descends into Avant l'Holodomor (2022) — the album's emotional and formal centre of gravity. A five-movement suite tracing the journey from foreboding to collapse to the slow, painful reconstruction of society, it arrives near the end of the album not as a historical document but as a lived experience: the struggle to rebuild, again and again, guided only by the resilience music makes possible.

From there, the album surfaces briefly into a digital isolation before closing inside the claustrophobic geometry of modern labor.

Life in L∞P does not offer an escape from the loop. It documents it.

“Ahhhhh, oh pai nosso tuga” - a la halloween (2023)

"Pai Nosso Galego / Junto ao Mar" is a Portuguese sacred pastoral song, based in a Catholic choral tradition, was part of my life, something warm, something shared. I took that memory and pushed it through something darker.

I wanted to deconstruct it. To take what was once about collective devotion and filter it through a tense atmospheric with a "Halloween" aesthetic, not as a stylistic choice, but as a critique.

The question at the heart of this piece is simple but uncomfortable: what happens to unity when the world falls apart? Rather than lamenting the loss of the past, I wanted to interrogate the present about the impossibility of achieving true community, peace, and unity in a society paralyzed by fear.

It is cynical, yes. But also deeply honest. And for me, that honesty is what makes it moving. This is my testament to a world where even the most sacred bonds of human connection have been dismantled by a contemporary conflict.

The Ghost Train (2024)

I - Untitled / II - Project 2 / III - O Jogo 3 / IV - Project B4

This piece came from a character that always fascinated me, Alan Rails, the Vindicators' superhero from Rick and Morty, a man who summons ghost trains. There is something absurd about that. Something chaotic and tragic at the same time. I wanted to translate that into music.

Rather than treating the source with pop-culture reverence, I stripped it apart. The fuel of this composition is not the cartoon but my own musical past. I weaponized samples from my personal works, turning my own extracts into something new and strange, the way a ghost train carries passengers who don't quite belong anywhere.

The result is four movements that don't announce themselves with grand titles. They are raw, unnamed, mid-process, just because the ghost train does not wait for you to be ready.

Freak Piet (2025)

This piece does not shout. It laughs and that is what makes it funny.

Freak Piet takes samples from "Piet Ging Uit Fietsen" one of the most recognizable songs in Dutch Sinterklaas tradition. This piece treats a progress that changes nothing, wrapped in the cheerful, familiar sounds of a children's celebration. The humor is intentional. So is the discomfort underneath it.

Deep Shit v1.1 (2025)

Once a colleague called me deep shit. I went home and I composed this piece, inspired by the biggest deep shit I know. Someone whose presence in a room is impossible to ignore (and not in a good way!).

But the piece is not really about him. It is about what happened when I raised the problem with my superiors. Nothing!!!! Silence in the front, laughter in the back!!! Friendly to his face, mocking behind closed doors!!!

Which brings me to the question, this composition refuses to let go, are my coworkers direct or just impolite? Because there is a difference between honesty and cowardice dressed up as tolerance. Deep Shit v1.1 describes that.The "v1.1" is not accidental. Some problems don't get resolved. They just get a new version.

(And if you are one of those coworkers, at least he got a piece of music. Did you?)

III Introspection (2023)

Fuggy Yguff N2 (2026)

Inspired by our modern reality of relentless cyber warfare, this track explores platonic love in a hyper-connected, yet deeply isolated world.

The piece portrays a unique, delicate elegance and beauty, contrasted with a dark bassline that represents our current connected world.

There are two entities who try to hack the main theme from "Fuggy Yguff" by using cyber warfare techniques, like jamming. This composition explores the beauty of a selfless emotional connection that transcends romantic expectations.

A world where everything can be hacked, even human beings can be breached."

L8P in Loop (2026)

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